That way you can make use of the mod-wheel output on the patch panel. Overall, the knob and switch count is generous, and when you factor in a CV patchbay positioned so it doesn’t obstruct regular knobbing, the Erebus begins to look and feel like a potent little synth.Īlthough it’s possible to run exclusively from the CV (1V/Oct) and Gate inputs, the Erebus is probably best operated by MIDI. (Typically you’d do this when processing external audio.) It’s a peculiarity, but hardly fatal. In order to cut out both VCOs, both waveform switches need to be off. Instead, you are treated to the output of the other oscillator, regardless of the position of the Mix knob. These switches have a middle ‘off’ setting - but when you choose it, you don’t get silence. On the panel are a number of three–way switches, and the behaviour of those responsible for oscillator waveform selection deserves a mention. The largest knobs are reserved for tuning the two VCOs, adjusting the filter cutoff and setting the output level. However, I’ll take that response over ‘light and easily disturbed’ any day. Several of the smaller variety are quite weighty - so much so that it was hard to move them quickly at first. Only a few are packed too close for comfort. It measures a substantial 225 x 160 x 55 mm, is edged in wood and populated with classic–style knobs of high quality and mixed size. The low–cost analogue market has never been more alive - so are these attributes enough to separate this attractive desktop synth from its rivals? Green Boxīefore me sits a rugged metal box painted in grey and a shade of green that suggests fluorescence (which, sadly, is not the case). Add to this a built–in MIDI-to-CV converter, distinctive filter, echo unit and patchbay, and you can dismiss any fears of Greeks bearing gifts. The Erebus has what I later perceived to be a carefully chosen blend of features, not least that it’s probably the most affordable duophonic analogue synth around. Dreadbox began by making boutique pedals, only branching into synths in 2013 with the Murmux Pedalsynth, a fat bass machine for players with nimble feet. Unlike Greece’s primordial god of darkness, after which it is named, Dreadbox’s Erebus synthesizer is not born of Chaos but of a chap called John in Athens. It would be really nice if you co-operate in this regard and we hope you will comeback right here to support the legit content.The Dreadbox Erebus is an unusual small–format synth with an inviting price tag. Therefore it is really important for the fans to keep their desired data away from suspicious activities. We will take strict action if we find any conent illegal in those links. They are provided by the developers themselves. We appeal to the community that if you find anything malicious in the links then please inform us.
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