![]() Her father, Dirk Fock, an orchestral conductor, moved to New York in 1928. Nina Consuelo Maud Fock was born in Leyden, the Netherlands, on April 20, 1924. She was affiliated with the University of Southern California’s film school for four decades and with the American Film Institute’s film studies center in the 1970s. She directed “Ways and Means,” a short play by Noël Coward, as part of “Tonight at 8:30,” which had a short Broadway run in 1967.īy that time, she had found new career purpose in teaching and coaching actors and directors. ![]() She played four more Broadway roles between 19, including Cordelia to Louis Calhern’s King Lear in a 1950 production. Brooks Atkinson, writing in The New York Times, called her “an especially attractive young lady with a gift for sincerity.” Foch, who grew up in New York, made her Broadway debut in “John Loves Mary,” a comedy about a soldier and his eager bride-to-be, in 1947. She received an Oscar nomination for her portrayal of a grief-stricken secretary. Foch (pronounced fosh) received her highest acting accolades for a lesser-known film, “Executive Suite” (1954), a drama about corporate power. DeMille’s 1956 epic, “The Ten Commandments.”īut Ms. Foch is probably best remembered by moviegoers as the rich, manipulative socialite who tries to buy Gene Kelly’s character, as well as his artwork, in Vincente Minnelli’s 1951 musical, “An American in Paris.” Or as Bithia, the pharaoh’s daughter, who finds and adopts the baby Moses in Cecil B. The cause was complications from myelodysplasia, a blood disorder, said her son, Dr. Nina Foch, the Dutch-born actress who epitomized the cool, aloof blond sophisticate in films and on television for six decades while thriving as an acting teacher, died on Friday in Los Angeles.
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